{"id":81,"date":"2011-02-17T00:50:03","date_gmt":"2011-02-17T00:50:03","guid":{"rendered":"http:\/\/fatsquirrel.org\/bologs\/vng\/the-music-business-doing-it-right\/"},"modified":"2011-02-17T00:50:03","modified_gmt":"2011-02-17T00:50:03","slug":"the-music-business-doing-it-right","status":"publish","type":"post","link":"https:\/\/fatsquirrel.org\/oldfartsalmanac\/the-music-business-doing-it-right\/","title":{"rendered":"The Music Business: Doing it Right"},"content":{"rendered":"<p>Laying down money for recorded music has been increasingly difficult for me to do in the last ten years; it&#8217;s such a blatant rip-off for everyone concerned, except the record companies. Shelling out a tenner for a piece of plastic that cost around ten bob to make, combined with the knowledge that the artist will receive even less than that makes it difficult to swallow.<br \/>\nBut finally, the pillars of free-market capitalism (who caused this hideous situation in the first place) are crumbling away exposing the bottom of <a href=\"http:\/\/www.whale.to\/b\/pyramid_of_capitalist_system.html\">the pyramid<\/a> to the fresh air.<br \/>\nFor decades, the Dinosaurs have pumped disgraceful amounts of their artists money into fighting away easy access to music. <a href=\"http:\/\/en.wikipedia.org\/wiki\/Home_Taping_Is_Killing_Music\" title=\"Home Taping is Killing Music\">Publicity campaigns<\/a>, <a href=\"http:\/\/www.collegiatetimes.com\/stories\/10442\/riaa-lawsuit-names-36-students\">threats of ludicrously OTT litigation<\/a>,  lobbying for <a href=\"http:\/\/en.wikipedia.org\/wiki\/Digital_Millennium_Copyright_Act\">draconian legal protection<\/a>, investment in countless <a href=\"http:\/\/en.wikipedia.org\/wiki\/Digital_Millennium_Copyright_Act\">scams<\/a> <a href=\"http:\/\/www.brighthub.com\/electronics\/home-theater\/articles\/36189.aspx\">which<\/a> <a href=\"http:\/\/www.aaroncake.net\/circuits\/macrovision.asp\">purport<\/a> <a href=\"http:\/\/www.afterdawn.com\/news\/article.cfm\/2005\/11\/24\/macrovision_ripguard_can_t_stop_ripping\">to<\/a> <a href=\"http:\/\/en.wikipedia.org\/wiki\/Sony_BMG_copy_protection_rootkit_scandal\">offer<\/a> <a href=\"http:\/\/www.firingsquad.com\/hardware\/ati_nvidia_hdcp_support\/\">copy<\/a> <a href=\"http:\/\/music.tetrap.com\/articles\/copyprotect.html\">protection<\/a>&#8230;and all it did was harm consumers and artists &#8211; the affect on pirates was negligible. The pirates will always win, and the <a href=\"http:\/\/www.youtube.com\/watch?v=VwcKwGS7OSQ\">fascists are bound to lose<\/a> &#8211; but what about the artists?<\/p>\n<p>At long last, people are starting to understand how the Internet works and how it can <i>benefit<\/i> musicians. Bands and labels with a clue have started to realise that they can bypass the crooked upper echelons of the business and go direct to the fans &#8211; who also benefit because they can be closer to the music.<\/p>\n<p>Together with the vinyl revival, this has been happening for a while now but I&#8217;ve only just encountered it directly. <\/p>\n<p>Several jobs ago, someone dumped a bunch of music on our music server (this is de rigeur in most tech companies these days by the way &#8211; you may not like it but that&#8217;s how it is). One band in the deposit was Mogwai. I didn&#8217;t really know anything about them, and wasn&#8217;t too excited by what I heard at the time. But over the years they grew on me until now I spend a large proportion of my working life with them in my ears as I write my code. Those &#8220;pirated&#8221; tracks took me from ignorance to fully fledged fanhood. Did they ever get any money out of me &#8211; well&#8230;and hears the sad part&#8230;no. I love what they do, and I want them to be successful, but I never went the extra mile and shelled-out. <\/p>\n<p>In the last year I&#8217;ve had to acknowledge that I owe the band, but paying full price for a fucking CD really still goes against the grain. I&#8217;d rather buy some t-shirts direct from them, or see them at a concert. A friend told me that they had a new album on the cards, and so excitedly I checked out their website. Their label, SubPop, were offering a free sample track from the new album in exchange for joining the Mogwai mailing list. They really did a good job &#8211; the process was quick and simple, the track was excellent, the list is <i>very<\/i> low-traffic and it just made me feel more connected to the band, and excited about the prospect of the new album. <\/p>\n<p>A posting on the list announced a special deal on pre-orders of the album. I have to confess that by this time I&#8217;d managed to obtain a rip of a pre-release copy and had been playing it constantly &#8211; but the nagging guilt that I wasn&#8217;t giving anything back had already persuaded me to buy a copy. This was perfect. So, a few clicks and a credit card transaction later I&#8217;d spent over double what I would normally have spent in a shop, but for a special edition vinyl release of the album.<\/p>\n<p>Now, I spent more than I needed to, but in the <i>distant<\/i> past I have spent more on a single CD purchase in a retail store than this. Not only that, but this time I was dealing directly with SubPop\/Mogwai which felt a great deal better than dealing with some horrible retail outlet; real or virtual. In fact, considering how rare vinyl now is, this is a bit of a bargain.<\/p>\n<p>The package arrived today and it&#8217;s truly a beautiful thing. A luxuriously pressed double album with a big, thick, heavy, blue-note-style cover. It included some silly novelty things like stickers and even some Mogwai earplugs, but you know what, even approaching 40 I still love that sort of tat. <\/p>\n<p>But the most excellent bit was a small card inside the sleeve on which was printed a magic number and a URL. In return for visiting the URL and typing the magic number you receive a ZIP file containing 320K MP3s of the whole album, a PDF booklet, and a 23minute long extra track which I&#8217;m now greatly enjoying as I type this. <\/p>\n<p>SubPop get it! They know what they&#8217;re doing! They know what we want. Will I buy more stuff from them or Mogwai in the future? Damn right I will! I love them even more. I almost feel connected now.<\/p>\n<p>Look and learn Sony.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Laying down money for recorded music has been increasingly difficult for me to do in the last ten years; it&#8217;s such a blatant rip-off for everyone concerned, except the record companies. Shelling out a tenner for a piece of plastic that cost around ten bob to make, combined with the knowledge that the artist will [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-81","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/fatsquirrel.org\/oldfartsalmanac\/wp-json\/wp\/v2\/posts\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fatsquirrel.org\/oldfartsalmanac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fatsquirrel.org\/oldfartsalmanac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fatsquirrel.org\/oldfartsalmanac\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fatsquirrel.org\/oldfartsalmanac\/wp-json\/wp\/v2\/comments?post=81"}],"version-history":[{"count":0,"href":"https:\/\/fatsquirrel.org\/oldfartsalmanac\/wp-json\/wp\/v2\/posts\/81\/revisions"}],"wp:attachment":[{"href":"https:\/\/fatsquirrel.org\/oldfartsalmanac\/wp-json\/wp\/v2\/media?parent=81"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fatsquirrel.org\/oldfartsalmanac\/wp-json\/wp\/v2\/categories?post=81"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fatsquirrel.org\/oldfartsalmanac\/wp-json\/wp\/v2\/tags?post=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}